One of my favourite Hallmark tropes is ‘big city businesswoman goes into the country and falls in love with both nature and some sort of country boy’. This is absolutely a film with that trope as its main plot.
A lot of the effectiveness- or lack thereof- of these films comes from the charm of the main characters (because, if we’re honest, there’s very little plot in one of these bad boys). Alex is our main character here, a pleasant businesswoman struggling to fit in at her job as part of a sportswear retail company. She’s fine, I guess. Good hair. Josh Ketchum is the romantic interest, and he is automatically more interesting than Alex because his name makes me think of Pokémon. He doesn’t want to sell the ranch he loves and runs with his sister, but they’re out of money, and Alex’s company wants to buy it. They have some nice chemistry in the bland, inoffensive way of these films.
The most interesting character by far is Alex’s utterly bizarre boss, a sort of fleece-wearing Steve Jobs type who insists on having meetings halfway up a climbing wall and rides a bicycle around the office. There’s also a fairly cute side romance between two other visitors at the ranch.
The mild drama in the film is in the form of Josh’s ex-girlfriend, a woman with excellent boss bitch sunglasses who also wants to buy the ranch. There is also a guy who works with Alex who she’s up against for a promotion. Both of these people want the ranch for nefarious purposes that I guess we’re meant to believe are less morally good than Alex’s reasons.
This Hallmark film is a bit on the weaker end of the scale, I think. It was fine, but didn’t hold up to some of their better (slash more cheesy) entries.